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- Install virtuoso ensembles kirk hunter kontakt 5.7 how to#
- Install virtuoso ensembles kirk hunter kontakt 5.7 Patch#
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I use it a lot but it's more for scoring "The Shining" than playing beautiful epic tunes. Risers, weird tremolo chaos, clusters, atonal and dissonant stuff, but also a bunch of giant and dark "normal" articulations like strings low octave sustains, etc. UIST - Insanely psychotic orchestral effects. A big but realistic sound, relatively compact footprint, and convenient stacked articulations where they've sampled whole sections playing together, with octaves, etc. Albion original / Albion ONE = This is the big seller and probably most widely used. What do you think of their new NEO?Okay, I lied - I don't have EVERY Spitfire library as I've not got NEO yet. I like your suggestion to run it thru Blackhole.I will definitely try that. I suppose I can find some use for it, eventually. Thanks Charlie.I was led astray by the sales people at Spitfire.I explained exactly what I was looking for, and gave them links to my music.they specifically came back with Tundra as the best choice. But a general-purpose orchestral library it ain't.
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It does respond very well to being soaked in cavernous reverbs and delays, and to being heavily eq'd before it goes to the verb. Stick a tape delay emulation on it, compress the hell out of that blend, and send it all to the reverb. If you want more hang time, drench that sucker in some ReLab 480 or UAD plates or Blackhole and go to town. But those few ice-cold high notes I use it for are just great. Does it do the heavy lifting in my scoring template? Not at all. It's promoted as having the quietest, most lightly played articulations that it's feasible to sample.ĭo I use it all the time? Yes. So Tundra fills a niche - one that almost no other sample library developer has even attempted to address - but which Spitfire are on their third or fourth go-round on. That type of sound is always an absolute nightmare to record - noise from the analog signal chain, room tone, trucks and trains rumbling by in the distance, chair squeaks, clothing rustle, even the sound of the players breathing - and it's even worse when you focus on just the quiet layers in bigger-sounding libraries where the whole chain was optimized for the louder layers. I'm frequently using just the triple-p layers from other orchestral libraries, trying to get a quiet and intimate tone, but that usually means that I'm only working with a single dynamic layer and often noisy samples as they've been recorded alongside much louder dynamic layers, so the signal chain was not optimized specifically for ultra-quiet sounds. Whether you need what Tundra can do is another question. The factory sample sets are just too gigantic sounding to get anywhere close to what Tundra can do. I have all the Spitfire libraries and thousands of Omnisphere patches, and certainly Omnisphere is big and loud and it's a real challenge to get it to quiet the **** down and do something small and intimate. It's supposed to sound like the light breath of the glacier fairies exhaling lightly in the distance across the fjords. Not sure why you'd have any other impression of what it's targeting given the demos and descriptions. It is very far down the rabbit hole of small, intimate, ultra-pianissimo "Icelandic" niche sounds, and is the third or fourth iteration of Spitfire creating the type of sounds that are not found in other libraries, or easily achievable by manipulating other sample sets. Tundra is very much not a general purpose epic orchestral library tailored at "grand authentic" sounds.
Install virtuoso ensembles kirk hunter kontakt 5.7 how to#
Maybe I just don’t know how to get the most out of it.oh well Definitely have buyers remorse and have not been able to use it in any production yet.
Install virtuoso ensembles kirk hunter kontakt 5.7 Patch#
I thought I was getting a step up in grand authentic orchestral cinematic patches, but it really fails all my tests.Īm I totally off base here? Does someone like this set? If so, do you not hear the hissing top end sibilance? Do you have to use a controller, in real time, to draw out a patch’s attack and decay? That seems like such a bother, when I can call up a patch in Omni and have such instant gratification.Īnyway.I pined over Tundra for a long time, and expected so much more. If I could sell it, I’d certainly do so, but I don’t think that’s possible. I have heard nothing useful and am quite bummed. And, none of the other synth sounds come anywhere close to Omni. I also find very prominent sibilance from all the mid and hi strings. Every patch is so abrupt and short, in and out. According to Spitfire, you can only set a, slightly longer, release for any patch. Those patches have such beautiful pristine decay and resolution, as well as gentle wonderful cinematic attacks. I find So many more useful sounds, including strings, with Omnisphere.